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For booking information, mixes and more, please head to djlouielopez.com Hi, and thanks for visiting my page! My name is Louie Lopez and I'm a Disco House DJ based in the UK. I've been DJing on the UK House scene since 1993 (and for 2 years on the "rave" scene before that) and over the past 30+ years I've been fortunate enough to play for some of THE biggest and most established clubs and promoters around the globe, including bookings for the likes of Defected, Glitterbox, Mission, Garlands, FunkDelux, Hed Kandi, Dirtyfunk, Miss Moneypennys, The Gallery, Escucha, Head, Ministry Of Sound, Venus, Housexy, Hard Times, Xstatic, Progress, Fantazia, Xstatic, and many many more. Not to mention 2 seasons and countless trips out to Ibiza, Marbella and beyond to play for the likes of Es Paradis, Hed Kandi, Pacha, Kanya, Plastic, Itaca, Garlands, Blowin' Up, Ocean Beach, Mode and Zoo, and festival appearances at Xstatic, GFest and Lowdown. I am currently resident DJ for UK House promoters Housexy, and Glitteratti. I host a monthly guest mix on Cyprus based ROCKFM (3rd Friday of every month,8-10 UK time) which goes out on FM radio right across mainland and eastern Europe, as well as via the internet, and I also have a weekly radio show every Monday on sublimesounds.com (8-10pm UK time), not to mention regular guest slots on internet and FM radio stations all around the globe, from Australia to Brazil to Tokyo to Finland, and of course, the UK. In 2015 I won the House-Mixes Soulful House mix competition, which opened a lot of doors and gave me a huge amount of media interest around the globe. I've previously done a guest mix for Defected In The House radio, and 2 for Hed Kandi radio. In 2016 I took step back from DJing to focus on family life, getting married, children etc -y k'now, all the normal grown up stuff - and returned to live club DJing in 2019 after being offered a residency at Mono.... and I've been there pretty much ever since. It's great because they love my sound and believe in what i do, they give me the freedom to play the Disco House sound I love, when many other promoters are tending to favor darker techier sounds for their dancefloors. But the queues at the door each week show that people still love the Funky Disco House sound, and it's still got a massive army of fans who want something more soulful on their weekends. Even though I'm just starting out on my DJing journey again It's great to be back doing what I love and having the opportunity to play to a crowd, I really missed that interaction you only get with a live crowd. The scene itself may be more competitive than ever before, but its also more creative, and i like that, I love the fact that I can express myself through my music and creativity. 2023 is looking to be my busiest year yet, with DJ bookings and media interest building up nicely, and lots of international booking interest. Come the weekends you'll always find me behind the decks somewhere, continuing to tear up Global dancefloors with a heavy dose of fabulously funked up Disco House as only LOUIE LOPEZ can! For bookings and info please go to djlouielopez.com, or contact me on Facebook at www.facebook.com/djlouielopez. Thanks for listening.
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the master of mixing 1.669.000 Plays 291.000 Downloads 17.000 Likes 13.000 Favourite https://djpod.com/mixpat
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Matt Barker first started cutting up tracks and mixes at the ripe old age of six, chopping up segments of music, stuttering and looping what could loosely be called 'samples' using nothing more than a couple of conventional tape recorders and the family record player. About the same time, he got his first keyboard from Santa. He hated the music lessons his parents made him do, but loved making his own compositions, creating his own synth patch sounds and blending them all together in a unique way. This was way before he (or the rest of the world) even knew what house music was. With the consumer boom of home computers in the late 1980s, Matt was first exposed to an 8 bit sampler and the cult music sequencer NoiseTracker on the Commodore Amiga. Coincidentally, by the early Nineties the underground rave scene was burgeoning, and aloof artists such as SL2 and Altern-8 proved that you didn't need to have a famous face and or a music mogul behind you to make accessible music. Matt bought a couple of keyboards and progressed into full-on MIDI production. By the time he bought his first turntables the music theory he hated so much meant he already knew how to beat-match and align harmonics. Matt got himself a DJ residency in Hull and this was getting good.... Artists such as BT and Way Out West, blending breaks, trance and house elements with traditional arrangments, greatly inspired Matt, In 1996, he recorded a series of mixsets, under the banner of 'Synthesis'. One of these showcased his debut demo track, 'Earthquake in Eden'. He needed a suitable psuedonym to use, so he chose Epicentre. The rest is history. Initially focussing on his own material, the Epicentre moniker developed his unique style of merging progressive house, breakbeat, electro and accoustic sounds, which has seen him remix on a wide range of genres. Epicentre helped define the cult status of the bands Mardrae and Arcade beyond their mainstream fanbase, whilst collaborating with likeminded DJs and producers such as Phil Urry of the Shine Boys in the UK and Joel North of Miami's Radio Danz. The last two years have seen a renaissance in Epicentre productions. He has garnered interest from as far away as Asia and North America, moved into film-making and is an avid digital artist. Recently, Epicentre mixsets have been broadcast on the UK-based music station Summer Time Radio. The Gulf Stream Electro Mix, followed by the Miami Winter Music Conference Mix, were broadcast on Radio Danz in Miami, fusing a selection of quality electro tracks with a multitude of Epicentre compositions. Most recently, Barker has collaborated with DJ Alirumba of Sexylectro fame to form the remix partnership Seismic Waves. 'Be the change that you want to see' - are you in for the ride?
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My Radio Show is Every Saturday Afternoon Between 12 & 2pm UK Time on www.sunrisefm.co.uk I am a DJ from London I have been Djing for more than 30 years in the Clubs and pubs now for more than 30 years. I have been on my Pirate radio stations in London over the past 30 years Touchdown 94.1fm, Sunrise 88.75fm, Juice 94fm, Radio T.K.O. 102.4fm, WLIB Radio and On legal Radio Hype fm too. More information follow me on Twitter @djstevemunster for updates, Release and where I am DJing at the weekends.
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i started djing at 16 after months of begging the parents for months to buy me some 1210s,which i still use today going strong.my passion in music has to be old school piano,retro and vocal funky house if you cant sing to it then its no good lol.in the early nineties i started going clubbing,and for me to this day was the best for music.when i first got my 1210s i had no intension of djing in clubs it was just a hobby for and for my own enjoyment.i was actually tricked by a fellow dj and good friend who was already djing in clubs,when he phoned me up one thurday night and said he was ill and needed me to help him out and play at a bar for him,to which i found out later it was actually a dj competition to which he entered me and to my surprise i won to which the prize was residency at bradfords biggest dance club which pulled 700 to 800 in every friday and saturday night,my first night djing in the club was christmas eve which was packed out and i was shitting it,it was a big difference mixing some tracks in the bedroom and then to bid audience but i absolutely loved it and was hooked,and so my djing career was born. within the first year things went from strength to strength playing in numerous clubs all over yorkshire and holding down residencys and playing alongside some of the biggest names in the country (alister whitehead,k klass,paul taylor just to name a few) i was more known as a dj for my old school sets and so i was made a resident for retro which took me to ibiza djing at eden and loved every minute. in the mid 2000s i began working with a fellow dj (adam g) at a place called bar me which was just a bar not a club,but in the first 6 months playing there the profits soared 700% and went from a free bar and having to pay in on the door,so we sat down and thought were on to a winner here and decided to brand our own night and event,and so worship was born. our brand of night went from strength to strength holding down rooms at space,gatecrasher,visage and ethios,garlands and many more,we even ended up with our own radio show on a friday night on dvm radio (dance vinyll masters). i think the reason our night worked so well was because we didnt brand it as one style of music it was straight across the board,if it was a classic then it got played. in 2008 we decided to pull the brand as we both wanted to persue over interests,i decided to take a break from djing as it got to a stage where i stopped enjoying it and felt more of a chore going to work instead of doing something i loved. so now im back,loving my music more then ever and back on the scene :-)
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It is with a heavy heart I have decided to retire from "paid" Dj work. I have had over 30 years in the game and have played to 10 people and a club at capacity of over 5000. I will still be realising the odd mix on here. I just want to thank everyone who was supported me over the years. Stay blessed and live for the music. Regards GeeMix x
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Mashups and Megamixes that keep you moving! Support me. Buy me a coffee. https://buymeacoffee.com/djleonmegamix
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CDJ Pioneer 800x2. Serato. Pevey speakers, Mac book. Pioneer EFX 500. Techniques 1200 for Vinyl. I also use the Numark NS7 and Traktor S4 scratch.
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FOLLOW ME ON YOU TUBE UNDER " INTERFACE GLOBAL MUSIC" In the Music Industry since the age of 16. Still Bringing the heat with all Genres.
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Far too many to mention!! but K Klass,Shades of Rythmn back in the day. Always wanted to be Carl Cox back in the Helterskelter and Dreamscape days of clubing . Love Vandalism remixes they sure know how to remix a tune. Favorite tune recently has to be Axwell- I Found You - Now thats oldskool Piano! Best Tune Ever Has to Be "Last Rythmn - Last Rythmn" , What a tune to end the night.Love the classics Ce Ce Rogers is a legend what a voice ! you can't beat the classics.Recent influences are people such as Pete Tong. Funkerman. Fedde Le Grand. Bob Sinclair. Axwell. Steve Angello. Eric Prydz. Bart B More. Laidback Luke. Dirty South. Deadmau5. Sebastian Ingrosso. Dave Spoon. Chris Lake. John Dahlback. Mark Knight. Funkergenda. Thomas Gold. Sharam. Out Of Office. Ian Carey. Tv Rock. Noir. Buy Now. Mylo. Bingo Players. Sharam. Mark Mendes. Steve Mac. Funkergenda. Sander Van Doorn. Paul Harris. Oliver Twist. Daft Punk. and so on !!!!
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Pioneer CDJ 400's Beringer djx 750 Pro Mixer American Audio VMS4 Controller AKG K518 Headphones Samson Mediaone 5A 80 Watt Active Monitors Desktop PC Laptop Traktor Scratch Pro Ableton Live and Reason for production
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