9 people
https://www.facebook.com/Ghost-Dog-106354272020/ https://hearthis.at/casmoviesandmusic/ http://www.reverbnation.com/ghostdogakadjcas http://www.soundcloud.com/ghost-dog http://www.youtube.com/casmoviesandmusic https://www.mixcloud.com/casmoviesandmusic/ https://www.play.fm/ghost-dog-uk Ghost Dog was born and raised in Sunderland, north east England. He made his first tentative forays into the music world in the punk era of the late 70s. After singing with a few anarcho punk bands, during which he gigged around the UK and appeared on vinyl a few times in the early-mid 80s with Hex, he acquired a cheap synth/keyboard just in time for the acid-house Summer of Love, and began making underground electronic music. His tunes were inspired by the techno end of the early house scene (Model 500 etc.), the trippy psychedelia he’d grown to love (Gong, Hillage, Hawkwind, Hendrix, Zappa, Led Zep etc.) and the harder edge of his old political punk favourites (Crass, Conflict, Subhumans, Flux of Pink Indians etc.), and he went on to DJ at a few parties in the early 90s when he was heavily into the rave/old-skool-hardcore scene (before it lost the dark breaks vibe and became all ‘happy’), but was unable to pursue mixing/production very far back then due to ‘adverse’ circumstances. In the mid 90s he took a change of direction and got into writing. He moved to Crewe for 2 years of a Humanities degree at a faculty of Manchester Met Uni, majoring in Creative Writing, with an elective in Film Studies (which influenced his next change of direction), where he enjoyed a spell of performing poetry (as he had done in Hex as well as singing) before he was kicked out for partying too much. In the late 90s, after a couple of lean years back in Sunderland, he moved to Leeds where he graduated from the Northern Film School and was involved in the making of numerous films, including his own feature-lengthed documentary “No Blood for Oil”, which documented the protests leading up to, and during the 2nd Gulf War with Iraq: Crass donated 2 tracks free of charge to a film that he lovingly crafted the soundtrack for with electronic music from his old Sunderland friend in Leeds, Steve Brown. It headlined the Leeds International Film Festival underground film event in 2001(?). In the mid-late ‘noughties’, he returned to the music scene to make live gig videos for local acts/venues/promoters to use on-line. Then he began making underground electronic music again, using his cinematic skills to make his own no-budget ‘promo’ vids. Close friends with local punk/ska/dub/hip-hop/d&b outfit China Shop Bull (then Fulibulbus), he went on tour with them to make a feature-lengthed tour documentary, and followed it up with several others. In 2010, he signed up with Putz Records of Rio de Janeiro for the electronic release of his “Quantum Quandary” minimal techno EP, and signed a contract for a feature film script he can’t say anything more about until it goes into production. As well as producing, DJing, filmmaking, and writing, he promotes gigs for local music-related community causes (Unity Day, RPCC, Oblong, Cloth Cat), and helps run the weekly Fenton Boogie open-mic/jam at The Fenton, Leeds. His recent musical output encapsulates numerous genres/sub-genres: hard, minimal and acid techno, tech-house, old/nu skool and ambient breaks, d&b/jungle, dubstep, dark and dirty electro, etc. The 2 tracks from the EP can be bought via Juno downloads, whilst up to now, and a couple are on compilation Lps, the rest of his 160+ tracks and mixes are all available on-line as free downloads.
Following since 2 days ago
DJ TroubleDee ...Professionell Allround oldschool Mixing DJ My career as a DJ began when I had to step in as a substitute DJ in one of the hippest discos in the region in 1989, as the resident DJs had both canceled due to illness. For the first time I had to play in such a large location and so many people music and prove if I really have DJ talent and I might consider myself in this club a second time as a DJ and angeagiert, or if I will never be booked there as a DJ again. Of course, I took this opportunity as "My Chance" and gave it my best that evening and was able to actually convince the happy dancing party people and the management of the discotheque of my DJ talent. Although during my DJ gig in the mainroom of the discotheque * GOLDEN GATE * during the first 2 hours of excitement I had such shaky hands as never before in my life, that even the managing director was so amused that he grinned personally to me came to the DJ pulpit to bring me alcoholic drinks (Vodka Lemon), with the saying; "Here .. drink that calms your nerves and helps against stage fright" ...LOL So I got in the discotheque Golden-Gate so the solid commitment from there to be the 3rd Resident DJ. More and more frequently, as a DJ, I got the opportunity to make music for a whole party-night and to have the party guests dance to my whistle. In the meantime, I looked at a lot of the older experienced DJs asked a lot, practiced and improved is my MUSIC mixing with the turntables and thus learned more and more. In 1992, I hired as a DJ in the just opened discotheque WayUp. At first there was only one of the flexible replacement DJs since there were already 5 DJs in front of me. Anyway, the management of the discotheque WayUp seemed to have discovered in me great potential in terms of my talent as a DJ. Because more and more often I should now make music on the main days ... etc in short: .. within a 1/2 year I made it from the only 6th violin to the 1st violin of WayUp DJ herachie. Now as the resident DJ number 1 of this club, I now also had the biggest and full responsibility for this one. From now on, I will indicate with which music genres the club will have its success in the future. I can now formally impress the club with "my" DJ stamp by always having the right richer for the right genre and anticipating always the right MUSIC SELECTION in music shopping, which is absolutely crucial for the successful or unsuccessful future career of the discotheque is! This is the greatest trust and responsibility that a discotheque management entrusts to its No.1 resident DJ. Because as everyone knows .. runs in a discotheque constantly only bad music that does not appeal to the guests, then these guests go to another discotheque to dance and party. In addition, something like that speaks very quickly so that fewer and fewer guests come. And fewer and fewer guests means at the same time .... less and less revenue and revenue! No revenue ... means no money to pay for the staff! No revenue ... means: No money to make the necessary purchases. ERGO ... Wrong DJ selection made, as the DJ did not understand week after week to hold guests or by good mouth propaganda new guests in the club location to lure. The discotheque slip thereby unsustainable pay more and more in the red .. and must, ERGO: At some point give up and finally closing and declare bankruptcy. END of the disco So, the Nr1ResidentDJ bears full responsibility for the future of the club: WITH THE MUSIC OF THE DJ, STANDS OR FALLS A CLUB! Today, every resident DJ should be aware of this and not sell himself below value. Because today a lot of club DJs are exploited by the club owners with an outrageous tipping or free drinks as DJ-fee! Today's club operators take advantage of today's DJs absolutely and without shots, by hiring DJs who are making music all night long for 50-150 € just because those DJs are totally unaware of their responsibilities. more than 5 years i was the 1Resident DJ from Disco WayUp. also i was Resident DJ and booking event DJ in much more Clubs : *Octagon *Atlantis *TarmCenterWest *GoldenGate *Amnesia *Pacha *Indigo *Butan *Galaxy ..and other.... in the next year "2019" i have 30 years DJ Experience.
Following since 2 days ago
i have been a dj for over 30 years. i have been the residence dj at many New Orleans clubs. still played many Private events.
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DJ Master Renegade is the owner/manager of MXTR FM he has been Djing for over 30 years specializing in playing and mixing house trance techno 70's 80's 90's as well as old school hip hop Top 40 and Latin music. Please check out our internet radio station MXTR FM playing the best mixture in 24/7 music and live DJs from coast to coast. Station Website https://mxtrfm.webstarts.com
Following since 2 days ago
enjoy listening to new and fresh talented Dj's producers, and artists. I have been involved in recording studios bars and venuesfor the past 10 years installing and selling new equipment.
Following since 2 days ago
Salut tout le monde. Né en 1971 à Montpellier. Passionné des Rave Party de 1993 à 1998, auquelles j'ai participées dans le 34, j'ai logiquement continué en tant que Dj (2009) pour continuer à diffuser ce son que j'adore. Gros Big up à mon frangin JH et Super Mimi :) , à Jack de Marseille, Secret Cinema, Carl Cox, Jérôme la Souris MTP 34, La Tribu des Pingouins MTP 34, La Tribu des Maories 34, Les Highlanders de Bédarieux 34, Les Sales Gosses Béziers 34. La Gluck Family 34, Discothéque 'Le New York Club' à Pézénas 34, Discothéque ' Le Rome Club' 34, les Festivals Techno Boréalis :) et bien d'autres encore ... Merci pour ces bons moments inoubliables :) Big up la Famille !!! PS: Je propose également d'autres styles musicaux :) Merci de votre visite.
Following since 2 days ago
Hi and thanks for checking out my shows mixes. i'm currently a radio DJ these are only some of my shows and currently being added here also past shows from previous radio stations i've played at, hopefully there's something here for everyone.
Following since 2 days ago
