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In the early nineties, I've played professionally in Bratislava, at the time when the country begun it's transition to new and better times. Early on, I have tried to find my own style and take the extra effort to play stuff that nobody played, especially on the radio. We used to buy DMC previews from London, but more often than not we were on the road to Munich, and Vienna to buy stuff that was not on the charts. House music back then was simple. In 92, I've found my way to the US as a student and begun in Brooklyn with nothing but bag of clothes and about a grand in my pocket. It was an awesome time, the music scene in NYC was great, Funk Master, Junior Vasquez, Chris the Greek, Hot 97. I've spent a decade studying and working in the city, and eventually landed in Charlotte, NC. Once you were a DJ, you will never look at it the same way, you will always seek that new sound and inspiration. This platform allows me to experience that feeling once more!
Following since 2 days ago
DJ SKOOTA PERTH WESTERN AUSTRALIA A huge thankyou to everyone that listens , downloads ,likes or comments on my Stuff not able to keep up to thankyou all but its all greatly appreciated Started collecting records as a kid , love all styles , Got into dance thru Eurobeat / Hi-NRG & Italo Disco before moving to rave & techno & house.
Following since 2 days ago
FINALLY I UPGRADED MY GEAR TO 1 PIONEER DDJ-1000 CONTROLLER/CD PLAYER And. Its an awesome piece of equipment love the sound and effects and the faders are so nice and smooth
Following since 2 days ago
For booking information, mixes and more, please head to djlouielopez.com Hi, and thanks for visiting my page! My name is Louie Lopez and I'm a Disco House DJ based in the UK. I've been DJing on the UK House scene since 1993 (and for 2 years on the "rave" scene before that) and over the past 30+ years I've been fortunate enough to play for some of THE biggest and most established clubs and promoters around the globe, including bookings for the likes of Defected, Glitterbox, Mission, Garlands, FunkDelux, Hed Kandi, Dirtyfunk, Miss Moneypennys, The Gallery, Escucha, Head, Ministry Of Sound, Venus, Housexy, Hard Times, Xstatic, Progress, Fantazia, Xstatic, and many many more. Not to mention 2 seasons and countless trips out to Ibiza, Marbella and beyond to play for the likes of Es Paradis, Hed Kandi, Pacha, Kanya, Plastic, Itaca, Garlands, Blowin' Up, Ocean Beach, Mode and Zoo, and festival appearances at Xstatic, GFest and Lowdown. I am currently resident DJ for UK House promoters Housexy, and Glitteratti. I host a monthly guest mix on Cyprus based ROCKFM (3rd Friday of every month,8-10 UK time) which goes out on FM radio right across mainland and eastern Europe, as well as via the internet, and I also have a weekly radio show every Monday on sublimesounds.com (8-10pm UK time), not to mention regular guest slots on internet and FM radio stations all around the globe, from Australia to Brazil to Tokyo to Finland, and of course, the UK. In 2015 I won the House-Mixes Soulful House mix competition, which opened a lot of doors and gave me a huge amount of media interest around the globe. I've previously done a guest mix for Defected In The House radio, and 2 for Hed Kandi radio. In 2016 I took step back from DJing to focus on family life, getting married, children etc -y k'now, all the normal grown up stuff - and returned to live club DJing in 2019 after being offered a residency at Mono.... and I've been there pretty much ever since. It's great because they love my sound and believe in what i do, they give me the freedom to play the Disco House sound I love, when many other promoters are tending to favor darker techier sounds for their dancefloors. But the queues at the door each week show that people still love the Funky Disco House sound, and it's still got a massive army of fans who want something more soulful on their weekends. Even though I'm just starting out on my DJing journey again It's great to be back doing what I love and having the opportunity to play to a crowd, I really missed that interaction you only get with a live crowd. The scene itself may be more competitive than ever before, but its also more creative, and i like that, I love the fact that I can express myself through my music and creativity. 2023 is looking to be my busiest year yet, with DJ bookings and media interest building up nicely, and lots of international booking interest. Come the weekends you'll always find me behind the decks somewhere, continuing to tear up Global dancefloors with a heavy dose of fabulously funked up Disco House as only LOUIE LOPEZ can! For bookings and info please go to djlouielopez.com, or contact me on Facebook at www.facebook.com/djlouielopez. Thanks for listening.
Following since 2 days ago
A bit about me. I've been a music fan from a very early age. My tastes in music are many and varied. I got into house music around 1987 - 1988 and first started DJing in 1989. Was a big fan of Acid House and the warehouse rave sounds. Loved the Madchester/Baggy era when there was a massive crossover with indie and house. I've been there as every different type of house music sub genre has come and gone or as many have developed and mutated into the different styles that are around today. I still love most of it and wouldn't want to limit myself to one particular genre although I still have a preference for big, uplifting sounds with plenty of energy. Love disco even though it's unfashionable. Funky House, French House, Deep House, Tech House, Detroit Techno, Acid House, Old Skool....the list goes on. I've been producing for a few years and I'm continually learning new techniques and experimenting as I go along. I have a soft spot for analogue synth hardware which I always try to use in my tracks. Favourite pieces of equipment are the Moog Slim Phatty, Dave Smith Mopho and the Mode Machines x0xb0x. Just got hold of the Moog Minitaur and an Elektron Machinedrum. Really excited by the developments in technology that mean that it's now possible for anyone to produce tracks. (I am a bit of a synth geek) Also the way people listen to music and how artists can use the Internet to gain exposure and a wider audience for their music. Everything is changing at an increasingly rapid pace and this too is exciting as who knows how music will develop. As long as it remains fresh and exciting I will still be DJing and producing till they carry me off in a box. You can follow me on my other profiles:Follow me on twitter:http://twitter.com/PaulBKirk Follow me on podOmatic:http://paulkirk.podomatic.com Follow me on Beatport:http://dj.beatport.com/paulkirk Follow me on Soundcloud:http://soundcloud.com/paulkirk You can follow me on my other profiles:twitter:http://twitter.com/PaulBKirk podOmatic:http://paulkirk.podomatic.com Beatport:http://dj.beatport.com/paulkirk Soundcloud:http://soundcloud.com/paulkirk
Following since 2 days ago
[Visit my YouTube channel for up to date mixes, releases and vinyl shorts] https://www.youtube.com/c/DizkoFloor Dizko Floor started DJing at the age of 14 with the aid of digital DJ programs to learn how to blend and get the core skills you need to DJ. Progressing through the years Dizko Floor has a vast number of hours and experience DJing not with only digital computer equipment but with also controllers and cdjs. Her music genre is very versatile from Disco House to Funky House and one that she most loves today is Oldskool House. Louise AKA Dizko Floor has evolved into an all-around versatile DJ and has a passion for music as a whole.
Following since 2 days ago
''Updated 2020.11.08'' Hey! I'm DJ Peter from Eksjö, Sweden. Contact info: dmkonsulten@live.se, +46 706563029. I'm a DJ since 1985 and still enjoys it very much. For the last couple of years I've been fortunate enough to have DJ'ing as my full time job, doing +200 gigs a year. I adapt my mixing according to the genres and expectations from the crowd, but I always try to build an atmosphere that take my audience to some kind of euphoric happiness. Straight forward mixing doesn't leave much room for errors but when it's tight. it's beautiful. I like progress and I embrace new technology as long as knowledge and skill is what's behind the use of it. Here, I can listen to all your nice uploads and get inspired to learn new stuff. I play a lot of funk/soul/disco originals and only manual mixing does it as you have to ''feel'' the mixes to get 'em right. That's why I never use sync 'n' rarely the quantize function. All my mixes are made in one take. No editing. I prepare my music, not my mixes. What you hear, is what you can expect to hear when I play live. Unless something critical happens, I don't restart the recording. Some people don't agree with me in this, but for me to do it in another way, would be like cheating to my customers. So yes, there will be errors once in a while and that's how it is. There's no start overs in real live gigs, and that's what I practice for. You who take your time to listen to my mixes here, are just as important to me as the crowd in a venue, so I put the same focus in my mixes as I do on live gigs. Equipment Current Gear: Mixer: DJM-900Nxs2, DJM-2000, DJM-800, DJM-450, DJM-250 CD-player: 2 CDJ-2000Nxs2, 2 XDJ-700, All-In-One: XDJ-R1/Laptop/iPad Controller: DDJ-RB. Legacy Gear: This I sometimes use just for fun: 4 CDJ-500II, 3 CDJ-500S, 2 CDJ-200, 4 CDJ-1000Mk3, 1 CMX-3000, DJM-350, DJM-300, DJM-500, DJM-600 Headphones: HDJ-2000Mk2 & HDJ-X10K & some 19'' Mixers from when I started in the mid 80's. Missing: 2 Technics 1210's with Ortofon Stylus nightclub Most of my gear are also used in various DJ workshops, and I'm old enough to see the sentimental value of the gear I've been using over the years :) . Every piece bring back memory's of long gone clubs and people I've met and got to know.
Following since 2 days ago
the master of mixing 1.669.000 Plays 291.000 Downloads 17.000 Likes 13.000 Favourite https://djpod.com/mixpat
Following since 2 days ago
