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Followed 2 days ago
DJ Cosmic Fire - Old Skool Rave DJ From the early 90's being heavily involved in the Underground Warehouse Rave Scene, I have been a natural when it comes to choosing 12" tunes & beatmixing them, to creating the emotionally charged journey for others to follow, weather it be Hard Trance, Harder House, Hard Core, Hard Style, Hard Tech, Progressive Trance, PsyTrance, Tribal Trance & PowerTrance.Having DJ Crisis as a firstly a long time friend (at the time), then as a house mate through '93, '94 & '95, plus of course a fellow promoter back in the day, allowed me 24/7 access to the art of flat out & intense beatmixing. I assisted alot with tracks selected & set arrangments of many of released CD's & Tapes as standard issue & the result being happy HartCore Ravers aplenty - this was very fullfilling indeed.I began to get serious on the decks after my involvement in the production of my last Rave in 1996 after a full blown schedule through '93, '94 & '95, co-producing 5 Mega Successful Underground Raves, plus having moved from the Northern Beaches up to the Mid Nth Coast at the time, allowed me the time to have "the time" to get busy on the decks.In 2000, I reached peak form after a long holiday in the UK where I brought back over 500 12" tunes, adding to my already vast collection of eclectic beats. I was mixing flatout everyday after work & quickly gained a solid reputation for smooth, seamless, beatmixed sets, with epic tracks from start to finish, creating a flowing journey through the chosen Genre I released. Many a DJ currently in the limelight or aspiring to be - have emulated my style, tune choice & mixing ever since.Back in those heady days of Future Acid House, Intelligent Hard Trance & the Massive UK Hard House Explosion, many 100's of each of my CD's & Tapes reached the hands of the Raving Public, with white label tunes that were at least 9mths in front of all the top line Sydney rave DJ's. These epic mixes where were on high rotation in car stereos, Home Hi-Fi Set Ups & were even played in clubs as far as New Zealand & the United Kingdom at the time.I have assembled on my audio host site, 15 Full Length High Quality CD's of which most were produced in the studio, but some are actually “live” recordings from various gigs from that corner in time. I invite you to have a listen as a raver from past, present or future & of course, if you just like Techno based music & want to add to your collection. I guarantee that you be very happy with my mixing, track selection & arrangement. Latest tracks by DJ-Cosmic-Fire _________________________________________ 1 - Pioneer DJM-600 Professional 4 Channel DJ Mixer with Integrated Sampler & Effects 2 - Technics SL1210MK2 Turntables 1 - M-Audio Avid Studio USB Direct Digital 1 - Technics SV-260A Pro DAT Recorder 10 - Full Crates of Rare 12" Thumpin' Vinyl _________________________________________ Latest tracks by DJ-Cosmic-Fire-1 The underground warehouse scene simultaneously shrunk and grewin 1993/94 after the euphorial year of 1992 & the issues surrounding Happy Valley 2.Hardcore ravers remained the cornerstone of the scene right through 1993/94 at around 1000-1500 punters attending well organised, mid sized underground parties week in, week out.. as the year rolled on through, there were the extra 3000 or so curious new bees looking for a scene to get into. Those from the western suburbs were attending alot moreplus the commercial inner city clubbers came to the larger parties of the likes of the "Prodigy series" & of course - "Colossus". The emergence of mainstream exposure did annoy most of the original hardcore ravers who had stayed true since 1992, most felt that the mystery of the underground had been violated & was now headed for sell-out status (they were right of course). The Old School rave scene reached its peak in the mid nineties (crowd-wise) with the Colossus party in 1994, with an estimated 8000 people in attendance. I am so glad to have been at most of the events spanning 1992 right through to 1996. Anyways, whilst looking for some stuff in my Pandora's boxes the other day, I came across a number of full length high quality VHS videos of some of the most memorableraves from the old school rave era. I watched "Colossus" on theweekend in amazement with my girlfriend, who was blownaway by how everyone was so happy!!I reminisced being there back then, in that magical corner of time,apart of the explosion of mainstream rave in 1994. Althoughbeing an original hardcore raver, I really enjoyed the vibe at this party & seeing so many people from all the different scenes as one. I am digitising this party for all those who are curious asto what went down at the first large scale OLD SCHOOL MEGA PARTY in 1994 – Uploading soon .... P.L.U.R. Jase.W. :-)
Followed 2 days ago
German DJ since 2009 Give me a "like" @ Facebook My Setup: 2 x Denon DN-S 3700 Behringer DJX 750 pro Reloop 3500 LTD Pioneer EFX 500 Behringer MS 16 Visit my Blog www.leblog.de for more information Wanna make a booking? Just follow the link http://leblog.de/ Ihr wollt das ich auf eurer Party auflege? Einfach dem Link folgen: http://leblog.de/ ****NOTE: ALL MATERIAL IN MY SET´S ARE INTELLECTUAL PROPERTY OF ITS RESPECTED OWNERS, CORPORATIONS AND ENTITIES. THIS SET´S ARE 100% NON-PROFITABLE AND ARE SOLELY FOR PROMOTIONAL AND ENTERTAINMENT PURPOSES ONLY. I DO NOT CLAIM OWNERSHIP WHATSOEVER. IF THE PRODUCER/RECORD LABEL OR IF ANYONE HAS A PROBLEM WITH THIS SET´S, PLEASE LET ME KNOW FIRST AND I WILL DELETE THE SET´S IMMEDIATELY. NO COPYRIGHT INFRINGEMENT INTENDED. IF YOU LIKE THE SONG(S) IN THIS SET´S, THEN PLEASE SUPPORT THE ARTIST(S) BY BUYING THEIR MATERIAL. THANK YOU**** "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use".
Followed 2 days ago
Approaching a decade of tearing up dance-floors up and down the country, Ryder DJ has become well known for his eclectic style, versatility and ability to play to any crowd. Clean cross-genre mixing, strong track selection and a professional ethos are all traits belonging to the UK based DJ. Armed with a CV boasting some of the UK’s biggest and most famous venues, including Ministry of Sound, Pacha, Egg and The Stirling (London’s famous Gherkin building), as well as summer residencies in Cyprus and Portugal, Ryder DJ continues to develop his sound and gain recognition worldwide. He has also played alongside some of the music industry’s most elite artists and DJs. Eddie Halliwell, Nicky Romero and Gareth Emery to name just a few. Add to this list, household names such as Tinie Tempah, Wretch 32 and Skepta, garage legends Wideboys, Dubstep pioneers Subfocus, Joker and Nero and Ryder DJ’s unique style is once again evident. A blend of talent, dedication and persistence has rewarded him with features and interviews in countless online and printed publications including YAB and Mauritius Now. Currently, Ryder can be seen causing mayhem on dance-floors all over the UK, as well as his infamous ‘Ryder Radio’ shows, podcasts and Mix CDs. Bookings - contact@ryderdj.com WEBSITE FACEBOOK TWITTER YOUTUBE
Followed 2 days ago
